The Kasuga Les Paul copy I used for 10 years doesn’t have a tremolo. My home made guitar had one, salvaged from a long-since-scrapped guitar, but I stopped playing that as soon as I got my Kasuga. So, it’s safe to say, I’m not used to tremolos, and I didn’t really have any feelings towards them. Until I got my Strat.
Like most people, the novelty meant that everything sounded like I was sat on the washing machine on spin cycle. And, pretty soon, the novelty wore off. Problems with tuning stability outweighed its minimal use, and the tremolo was soon decked* and forgotten about.
A year later, and I’m listening to some Pink Floyd. I notice David Gilmour’s vibrato, especially on the bent notes. His big bends are famous, and, after a lot of practice, I can do them justice, but vibrato? It occurred to me that he’s using the tremolo with the bends, and it sounds great. So I decide I’m having some of that. But, do I really want to open that can of worms again?
I decide that I’ll attempt a compromise: I’ll keep the springs just tight enough to deck the tremolo, but not tight enough to stop a bit of whammy. That way, I won’t officially float the tremolo.
My first mistake was to remove 2 of the 5 springs from the claw. 3 springs made the tremolo too loose to deck and too easy to lift with a bit of bending. So rather than trying 4 springs, I went straight back to 5, and started loosening the claw. After a surprising amount of loosening, I reached the biting point. The springs were tight enough to keep the tremolo decked with a bit of bending, and slack enough to add a bit of vibrato.
All in all, this was an excellent result, and I will keep the tremolo going for the short term. Tuning stability seems fine, probably helped by the excellent setup done by guitar tech Steve Robinson in Sale, Manchester, early this year, which included a new bone nut and a string tree spacer.
* A decked tremolo is rendered inoperable by tightening the claw, using all 5 springs, until the bridge plate can’t move.